Funny misheard lyrics

Jan. 27th, 2026 02:15 pm
maju: Clean my kitchen (Default)
[personal profile] maju
I'm watching an old British show, Royal Free, in which a song from 1964 is playing. The song is called Tobacco Road (by The Nashville Teens), and the lyrics are shown in the subtitles (which I always use). At one point, the original line is "in the middle of Tobacco Road", but the subtitle says "in the bathroom".
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Posted by Scharon Harding

LG has launched a subscription program in the UK that allows people to make monthly payments in order to rent LG TVs, soundbars, monitors, and speakers.

LG Flex customers can sign up for one, two, or three-year subscriptions in order to get lower monthly payments.

“At the end of your subscription, you can apply for a free upgrade, keep paying monthly, or return your device,” the LG Flex website says. Subscribers will have to pay a £50 (about $69) fee for a “full removal service,” including dismounting and packaging, of rental TVs.

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Posted by Vanessa Armstrong

News Something Very Bad Is Going to Happen

Something Very Bad Is Going to Happen This March on Netflix

The Duffer brothers-produced series explores the potential horrors of marriage

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Published on January 27, 2026

Courtesy of Netflix

Something Very Bad Is Going to Happen. (L to R) Karla Crome as Nell, Gus Birney as Portia, Jeff Wilbusch as Jules in episode 101 of Something Very Bad Is Going to Happen.

Courtesy of Netflix

It’s been about a year and a half since we got news that Netflix was moving forward with Something Very Bad Is Going to Happen, a horror series showrun by Haley Z. Boston (Guillermo del Toro’s Cabinet of Curiosities) and produced by the Duffer brothers.

Today, Netflix’s Tudum website released some first-look images of the series, along with its release date and some quotes from Boston.

Before we get into it, here’s what the series is about: It centers on two people, Rachel and Nicky, and follows them through the week leading up to their wedding. Netflix is keeping tight-lipped about further details, though Boston describes the show as horror in the vein of “unsettling, getting-under-your-skin dread” rather than jump scares.

The series, Boston explained, is also character-driven. “I love to explore characters. I think sometimes that’s lacking in the horror genre,” she said. “My natural approach is from a place of character and dialogue and humor and then infusing that with unsettling horror… I’m like, ‘I want to be unsettled. I want to be freaked out.’”

Boston also described the show as having the tone and visuals of something between Carrie and Rosemary’s Baby, so you can probably pick up what the show’s going for. The first-look images above and below also give us a taste.

The series stars Camila Morrone (Daisy Jones & The Six, The Night Manager) as Rachel, Adam DiMarco (The White Lotus, Overcompensating) as Nicky, Jennifer Jason Leigh (Fargo, Annihilation) as Victoria, Ted Levine (Monk, Big Sky) as Boris, Gus Birney (Shining Vale, ​The Sign in Sidney Brustein’s Window) as Portia, Jeff Wilbusch (Unorthodox, Oslo) as Jules, Karla Crome (The Last Disturbance of Madeline Hynde, Lazarus) as Nell, and Zlatko Burić (Triangle of Sadness).

All eight episodes of Something Very Bad Is Going to Happen premiere on Netflix on March 26, 2026.

Check out some of the first-look images below. [end-mark]

Something Very Bad Is Going to Happen. Jennifer Jason Leigh as Victoria in episode 102 of Something Very Bad Is Going to Happen.
Courtesy of Netflix
Something Very Bad Is Going to Happen. (L to R) Camila Morrone as Rachel Harkin, Adam DiMarco as Nicky Cunningham in episode 101 of Something Very Bad Is Going to Happen. Cr.
Courtesy of Netflix
Something Very Bad Is Going to Happen. Gus Birney as Portia in episode 101 of Something Very Bad Is Going to Happen.
Courtesy of Netflix
Something Very Bad Is Going to Happen. (L to R) Karla Crome as Nell, Camila Morrone as Rachel Harkin, Gus Birney as Portia in episode 102 of Something Very Bad Is Going to Happen.
Courtesy of Netflix

The post Something Very Bad Is Going to Happen This March on Netflix appeared first on Reactor.

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Posted by Christina Orlando

Books book reviews

City of Others by Jared Poon Is Wildly Entertaining

Alex Brown reviews a “spectacular,” “delightful” workplace urban fantasy—and is already eager for more.

By

Published on January 27, 2026

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<p class="syndicationauthor">Posted by Christina Orlando</p><p class="ljsyndicationlink"><a href="https://reactormag.com/book-review-city-of-others-by-jared-poon/">https://reactormag.com/book-review-city-of-others-by-jared-poon/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837219">https://reactormag.com/?p=837219</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/book-reviews/" class="inline-block link-no-animation" aria-label="Link to term or tag book reviews 1"> book reviews </a> </span> </div> <h2 class="post-hero-title text-h1"><i>City of Others</i> by Jared Poon Is Wildly Entertaining</h2> <div class="prose post-hero-description prose--post-hero">Alex Brown reviews a &#8220;spectacular,&#8221; &#8220;delightful&#8221; workplace urban fantasy—and is already eager for more.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alex-brown/" title="Posts by Alex Brown" class="author url fn" rel="author">Alex Brown</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 27, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] 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fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/01/review-City-of-Others1-740x407.png" class="w-full object-cover" alt="Cover of City of Others by Jared Poon." srcset="https://reactormag.com/wp-content/uploads/2026/01/review-City-of-Others1-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/01/review-City-of-Others1-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/01/review-City-of-Others1-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/01/review-City-of-Others1.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Even though I haven&#8217;t read it much lately, urban fantasy mystery is still one of my favorite subgenres. Why did I stop reading it? Well, there isn’t a ton of books in the vein of the Dresden Files—stories where a professional or amateur investigator is pulled into a strange mystery only they can solve—being traditionally published in the last few years that’s written by and about marginalized people; this slice of urban fantasy tends to be fairly white, male-dominated, and cisallohet. Jared Poon’s <em>City of Others</em> piqued my interest precisely because it seemed like it would offer a lot of what I’d been looking for in urban fantasy mystery. </p> <p>DEUS is an underfunded, understaffed government agency dedicated to liaising between humans and Others (supernatural entities) in Singapore, and Ben Toh is their leader. Everyone on the team is an Other, but Ben is one of the rarest kinds: a Gardener. Gardener magic takes the form of a sort of garden mind palace; his is a rainforest and mangrove thicket. There he can snip off weeds like anger, resentment, and fear, and tend plants that give him a boost of strength or speed. He also happens to be dating a Diver, Adam, who has the ability to sink into another layer of reality. That comes in handy when his latest case involves an entire block of apartments starting to sink into this deeper elsewhere, taking all its inhabitants with it. In the background, a nefarious corporation, a god with a grudge, a Diviner who longs for her father’s affection, some unscrupulous jinni, a trickster deity, an inexplicable cat, two tired old men, and chthonic beasties weave in and out of the story. Who or what is behind the disappearances? Can our motley crew of do-gooders rescue the victims, punish the villains, and save the day?&nbsp;</p> <p>This isn’t your typical urban fantasy mystery novel. Its setting and cast not only make it stand out, but make it what it is. You couldn’t tell this story anywhere else or with any other cast of characters. Its diversity is its greatest strength. It doesn’t act in contention with its diversity, either. Supernatural beings from throughout Southeast Asia and from a variety of different religions and belief systems pop up, not inherently as enemies or in competition but as neighbors and even allies (… for the most part). Within the main cast, our protagonist is an out queer man in a relationship with another out queer man, and no one has anything negative to say about it. Fizah’s Muslim heritage plays a vital role in the plot and is treated respectfully by others. Sometimes Mei is an old woman and sometimes she’s a bright young thing in six-inch heels, and her age, experience, and femininity are valued, not diminished. Jimmy, our regular Joe (who also happens to be somewhat psychic), is married with kids and is kind of boring, but even he has a place. He isn’t treated like the default or template against which everyone else is compared. He’s just one of the gang.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/City-of-Others-1.jpg" class="attachment-full size-full" alt="Cover of City of Others by Jared Poon." /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/City-of-Others-1.jpg" class="attachment-full size-full" alt="City of Others" /> --> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/City-of-Others-1.jpg" class="attachment-full size-full" alt="Cover of City of Others by Jared Poon." role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">City of Others</h3> <p class="shop-the-book-author">Jared Poon</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1769540903" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1769540903" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/City-of-Others-1.jpg" class="attachment-full size-full" alt="City of Others" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/City-of-Others-1.jpg" class="attachment-full size-full" alt="City of Others" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">City of Others</h3> <p class="shop-the-book-modal-author">Jared Poon</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DF5ZT9RG?tag=tordotcomgeneral-20" data-book-title="City of Others" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780316585477" data-book-title="City of Others" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780316585484" data-book-title="City of Others" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780316585477" data-book-title="City of Others" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780316585477" data-book-title="City of Others" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Poon also uses the Singaporean setting to dig into some less fun but still important topics, such as government indifference, overreach, and abuse. An ongoing problem Ben has is that he sees his work with DEUS as a way to make people’s lives better, but the organization itself was founded to harass and subdue the very people he wants to protect. He would rather spend his energy getting an avatar of the goddess Annapurna out from under a racist landlord and help a goblin kid get into a better school than answering emails and humoring his boss. In the past, DEUS officers brutalized Others so badly they retreated into a pocket dimension to hide. Nowadays, his employer requires him to force rebellious Others to make unbreakable oaths to behave according to their onerous rules. That tension pops up in some key points in the plot, and I expect it will continue to be a sore point in future books. In this book, Ben is still avoiding asking himself if it’s possible to reform an institution that doesn’t want to be reformed, or if reform should even be considered when resistance and dismantling are also options.</p> <p>Ben makes some assumptions about supernatural happenings in the US that made me think “Eh, I don’t know about that,” to the point where I felt like maybe he forgot that we’re not a culturally homogenous society and in particular that Indigenous people have lived here longer than everyone else. I suppose it could also be Poon using Ben as a way to subtly comment on how Westerners tend to flatten out the diversity of non-Western countries by having Ben do the same to us. Either way, I appreciated how much the book continuously reminds us that the Western world isn’t the center of the universe. </p> <p>The weakest aspect of the book was its repetition. Ben figures out the Major Event early on, then he and his team spend much of the book coming up with a fix, risking everything to get the components they need for that fix, fucking something up so they waste the fix, then coming up with a new fix. The entire plot is that pattern again and again until the deus ex machina swoops in to save the day. That deus ex machina also happened to be my favorite part of the book, so I wasn’t exactly mad about it. But it’s also a pattern that has diminishing returns in terms of maintaining tension. With the revelations Ben has at the end of this book, I suspect this won’t be an issue in future installments. </p> <p>Listen, I haven’t had this much fun in ages. Jared Poon’s <em>City of Others</em> is funny, charming, wildly entertaining, and so compelling that a lot of readers will end up devouring it all in one go (like I did). It may only be January, but it is going to be a tough cookie to beat out of my top 5 books of 2026. What a delight! What a ride! Spectacular, give me 14 of them right now.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size"><em><a href="https://www.hachettebookgroup.com/titles/jared-poon/city-of-others/9780316585477/" target="_blank" rel="noreferrer noopener">City of Others</a></em> is published by Orbit.</p> <p>The post <a href="https://reactormag.com/book-review-city-of-others-by-jared-poon/">&lt;i&gt;City of Others&lt;/i&gt; by Jared Poon Is Wildly Entertaining</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/book-review-city-of-others-by-jared-poon/">https://reactormag.com/book-review-city-of-others-by-jared-poon/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837219">https://reactormag.com/?p=837219</a></p>
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Posted by Sarah

Books Seeds of Story

The Omnipotent Eye Versus the Neighborhood: James C. Scott’s Seeing Like a State

On the tricky science of improving (or failing to improve) the human condition…

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Published on January 27, 2026

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-omnipotent-eye-versus-the-neighborhood-james-c-scotts-seeing-like-a-state/">https://reactormag.com/the-omnipotent-eye-versus-the-neighborhood-james-c-scotts-seeing-like-a-state/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837852">https://reactormag.com/?p=837852</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/seeds-of-story/" class="inline-block link-no-animation" aria-label="Link to term or tag Seeds of Story 1"> Seeds of Story </a> </span> </div> <h2 class="post-hero-title text-h1">The Omnipotent Eye Versus the Neighborhood: James C. Scott’s <i>Seeing Like a State</i></h2> <div class="prose post-hero-description prose--post-hero">On the tricky science of improving (or failing to improve) the human condition&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/ruthanna-emrys/" title="Posts by Ruthanna Emrys" class="author url fn" rel="author">Ruthanna Emrys</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 27, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-omnipotent-eye-versus-the-neighborhood-james-c-scotts-seeing-like-a-state/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=The Omnipotent Eye Versus the Neighborhood: James C. 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15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state-header-740x407.png" class="w-full object-cover" alt="cover of Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed by James C Scott" srcset="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Welcome to <a href="https://reactormag.com/tag/seeds-of-story/" target="_blank" rel="noreferrer noopener">Seeds of Story</a>, where I explore the non-fiction that inspires—or should inspire—speculative fiction. Every couple weeks, we&#8217;ll dive into a book, article, or other source of ideas that are sparking current stories, or that have untapped potential to do so. Each article will include an overview of the source(s), a review of its readability and plausibility, and highlights of the best two or three “seeds” found there.</p> <p>This week, I cover James C. Scott’s <a href="https://bookshop.org/p/books/seeing-like-a-state-how-certain-schemes-to-improve-the-human-condition-have-failed-james-c-scott/65403c6d4976ca3a?ean=9780300246759&amp;next=t" target="_blank" rel="noreferrer noopener"><em>Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed</em></a>. It’s about what we lose when we try to make things measurable, regulatable, and optimizable—and why we try to do those things in the first place. It’s probably fair to call this book a foundational text for 21<sup>st</sup>-century social science fiction; it’s also full of ideas for making social scientists very nervous.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>What It’s About</strong></h3> <p>The history of the state is, in part, a centuries-long quest to be able to see—and therefore control—the activities that take place in their domains. Taxation, law, regulation, provision of services, maintenance and repair, can only happen where the state can measure and understand the resources to be taxed, the activities to be forbidden or required, the needs to be met, and the status of that water main. Scott calls this <em>legibility</em>. While the initial motivations were for the benefit of rulers, modern states also provide value to citizens—or at least, I <em>personally</em> like regular garbage pickup and sewage treatment.</p> <p>However, the quest for legibility comes with serious tradeoffs. Measurement requires quantification and simplification of systems that are, in many cases, healthier in their natural complex forms. It also requires glossing over the reality of complexity that <em>can’t</em> be reduced.</p> <p>This tradeoff was particularly unclear to 20<sup>th</sup>-century high modernists, drunk on the low-hanging fruit of early 20<sup>th</sup>-century technocratic organization. New forms of power generation were (and still are) resisted by industrialists profiting off the old; medical advances were (and still are) resisted by popular prejudices and purveyors of snake oil.</p> <p>High modernist overreach quickly led to failures, but was slow to acknowledge them. Le Corbusier demanded well-organized cities. He created the first building standards, but was also convinced that modern, legible communities required absolute separation of functions—pedestrian versus motorized travel, work versus home, all the foundations of modern zoning woes. If your neighborhood isn’t walkable, or your downtown is a desert of parking garages, you can probably blame him. “Many new capitals,” Scott says of Corbusier-planned cities, “seem intended as completed and self-contained objects. No subtraction, addition, or modification is contemplated—only admiration.” Imagine the Jetsons’ towers, and ask yourself what life would be like if flying cars were the <em>only</em> way to leave your house.</p> <p>High modernism gets worse the less room there is for pushback from those who have to live with it. Lenin argued for authoritarian imposition of organization and legibility, which he put into practice as soon as he could. Forced collectivization in the Soviet Union, and similar pushes for easily countable and measurable production (e.g., forced permanent settlement in Tanzania in the ’70s) all aim for standardization at the cost of long-term sustainability and resilience. This kind of centralization is the foundation for any sort of extractive imperialism or authoritarianism; it makes it easier to take resources from those who need them, but also reduces local ability to <em>produce</em> resources tailored to local needs.</p> <p>Long-term, this push for legibility leads to many of the environmental problems we face now. Scott describes how “the systematic, cyclopean shortsightedness of high-modernist agriculture that courts certain forms of failure… casts into relative obscurity all the outcomes lying outside the immediate relationship between farm inputs and yields.” Soil structure, water quality, land-tenure relations—all the things that <a href="https://reactormag.com/asking-permission-for-the-harvest-robin-wall-kimmerers-braiding-sweetgrass/">Kimmerer</a> celebrates about a working ecology are undermined by neat monocropped rows. The rows are easy to count, predict, and harvest with modern machinery. They also demand making all the land’s topography and geography as close to identical as possible, and lose all the advantages of a diverse, thriving ecosystem.</p> <p>It’s not only land and buildings that get simplified in the quest for legibility, but people. So many skills—farming, firefighting, medicine, artistic creation—require the “metis” practical knowledge that involves constant adaptation to situational variability. High modernism values transferability of skills over dependence on individual expertise (except where the expert <em>serves </em>the modernist organizational effort). Standardization allows for scaling and automation, and predictable factory outputs. It also reduces not only the advantages of metis, but recognition and appreciation of that kind of positive variability.</p> <p>Ultimately, what Scott recommends is humility. There are advantages of legibility that most of us would prefer not to give up—but top-down comprehensibility is not the ultimate societal good. It’s also not <em>possible</em> to the degree that 20<sup>th</sup>-century high modernists imagined. We need compromise systems that <em>begin</em> “from a premise of incomplete knowledge,” and that treat that uncertainty as something beyond a problem to be solved.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state.jpg" class="attachment-full size-full" alt="cover of Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed by James C Scott" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state.jpg" class="attachment-full size-full" alt="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" /> --> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state.jpg" class="attachment-full size-full" alt="cover of Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed by James C Scott" role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed</h3> <p class="shop-the-book-author">James C. Scott</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1769540903" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1769540903" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state.jpg" class="attachment-full size-full" alt="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/01/seeing-like-a-state.jpg" class="attachment-full size-full" alt="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed</h3> <p class="shop-the-book-modal-author">James C. Scott</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B085CMNS8P?tag=tordotcomgeneral-20" data-book-title="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9780300246759" data-book-title="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9780300252989" data-book-title="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9780300246759" data-book-title="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9780300246759" data-book-title="Seeing Like A State: How Certain Schemes to Improve the Human Condition Have Failed" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>I first heard of <em>Seeing Like a State</em> from Max Gladstone, who I’m pretty sure is the Patient Zero for its spread among modern SFF authors. Like <a href="https://reactormag.com/seeds-of-story-how-charles-c-mann-1491-rewrote-my-brain/" target="_blank" rel="noreferrer noopener"><em>1491</em></a>, it immediately reshaped my brain, giving me new tools for thinking about worldbuilding, local activism, and scientific research.</p> <p>As a cognitive psychologist, I was trained to design controlled lab studies with quantifiable outcomes, and make generalizable inferences about human behavior from them. Sometimes this works, but sometimes the lab turns out to be a poor substitute for the complexities of everyday interaction. This particularly becomes an issue when we’re trying to solve a real-world problem. Suddenly I found myself asking what we were simplifying out while trying to make thoughts and relationships legible—a frustrating but provoking question for me, and probably for my colleagues too. “How do we measure this?” is a hard enough question, even before you add in “Why do we measure this?” and “What aren’t we measuring?”</p> <p>It’s also an incredibly productive question for worldbuilding. What is this society trying to see? What do people want or need to do that’s in conflict with legibility efforts? <em>Who</em> gets to do the measurement and interpretation? When we make space for illegible activities, how do we handle the tradeoffs?</p> <p>The whole concept of legibility, ironically, falls into the “can’t unsee it” category, and makes many confusing problems make so much more sense. Most of the non-fiction books I’ve read since encountering Scott—and a good few of the novels—contain marginal notes on the topic. Data harvesting, privacy, labor rights, assholes freaking out about diversity… there are connections to everything. If you’re trying to decide whether a proposed new law is a good idea, legibility is a good place to start—what knowledge does it assume, what simplifications will be required, and what kinds of data will need to be collected by whom to make it work…all are important questions that often get glossed. Online age verification, for example, becomes more problematic when you realize that it only works by submitting your kids’ personal information to social media companies.</p> <p>But I also think that Scott understates the value of legibility, and the tradeoffs that we face when we dismiss that value. The overreaches of high modernism explain the overreaches of the more recent backlashes. If you think all regulation eventually leads to five-year plans with standardized Soviet collectives, then vaccine mandates must be a tool of tyranny. Limiting arsenic in drinking water puts you on the slippery slope to state-forced famine.</p> <p>There’s a point toward the end of the book where Scott celebrates the value of local, adaptive knowledge with Thomas Jefferson’s ideal “yeoman farmer.” My margins overflow with the extremity of my side-eye. Centralized tyrants are bad—but local ones are no better. The yeoman “farmer,” utterly dependent on slavery, is far worse than Le Corbusier. But Scott, like so many, gives more attention to state-level authoritarian failures than to all the other levels and types of institution that can demand conformity and destroy freedom.</p> <p>Scott’s concepts, though, apply just as well to these institutions. On this read, I suddenly realized that the “thin simplification” of metis expertise explains why AI companies try so hard to replace the most variable, rewarding types of human effort. AI art is more predictable than human artists in much the same way that a monocropped tree plantation is more predictable than a healthy forest. It would be very convenient to a lot of people, especially those who judge art by audience size, if our work could be easily directed and systematized. Legibility strikes again!</p> <p>I suspect that the best alternatives are found, not in Jefferson’s slaveholders, but in Kimmerer’s very human appreciation of the systems we work with, not as problems to be solved but as partners to collaborate with. She manages to combine modern botanical studies with asking permission for the harvest; it’s a model for seeing more without seeking impossible, destructive levels of quantified control.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>The Best Seeds for Speculative Stories</strong></h3> <p><strong><em>Seeing Like a Surveillance State.</em></strong> Surveillance is a core part of most dystopias, and even of some sorta-positive futures. There’s a long inheritance from <a href="https://bookshop.org/p/books/1984-75th-anniversary-george-orwell/aef4adf3bb37311b?ean=9780451524935&amp;next=t" target="_blank" rel="noreferrer noopener"><em>1984</em></a>, but I increasingly see stories imagining “transparent” societies where privacy is traded off for safety and social services. In real life, Orwell’s deliberately salient watchers are mirrored by institutions like China’s social credit system. In other places, we face instead pervasive corporate data collection, masked as convenience and the promise of more interesting ads. All of this opens questions for stories: what new kinds of surveillance might be developed in the future, by whom, and for what purpose? What types of control will they try to exert, with what tradeoffs? And is it possible to get luxury space communism without luxury space panopticons?</p> <p><strong><em>New Kinds of Science.</em></strong> The history of the modern world—as <a href="https://reactormag.com/infernal-gravity-and-the-logic-of-death-scenes-ada-palmers-inventing-the-renaissance/" target="_blank" rel="noreferrer noopener">Ada Palmer</a> points out—is a history of changing methods for gathering and understanding knowledge. And yet, science fiction about new kinds of science is surprisingly rare. Current research wrestles with the dichotomy between quantitative data—legible, standardizable, analyzable via statistics and algorithms—and qualitative data. Qualitative studies capture nuance and local complexity—but then what? Perhaps in the future we’ll develop more systematic methods for handling qualitative information, or perhaps we’ll learn how to glean more and better applications <em>without</em> systematizing everything. Either way, there’s drama to be found amid both the development of those methods, and the researchers trying to navigate them.</p> <p><strong><em>Invisible Revolutions</em>.</strong> The flip side of surveillance is the resistance to that surveillance, and to the control that it enables. As attempts at legibility become more sophisticated, how do we find—or make—cracks to hide in? More subtly, how do we preserve and exercise metis in a world trying to automate it away? The artists’ collectives, guerrilla gardens, and makerspaces of the present will have descendants in every century. These cracks aren’t only the seeds of revolution during dystopia, but of questioning and change in better times.</p> <div style="height:10px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading"><strong>New Growth: What Else to Read</strong></h3> <p>Max Gladstone’s <a href="https://maxgladstone.com/series/the-craft-sequence/" target="_blank" rel="noreferrer noopener">Craft Sequence</a> is fundamentally an exploration of the tension between pre-modern and high modern societal structures, with the tradeoffs and legibility problems made plain in the form of old gods demanding sacrifice versus necromantic lawyers demanding… mostly different forms of sacrifice. Other books exploring the tension between legibility and privacy/flexibility include Vajra Chandrasekera’s <a href="https://bookshop.org/p/books/the-saint-of-bright-doors-vajra-chandrasekera/611240a979ae400d?ean=9781250847409&amp;next=t" target="_blank" rel="noreferrer noopener"><em>The Saint of Bright Doors</em></a> and Benjamin Rosenbaum’s <a href="https://bookshop.org/p/books/the-unraveling-benjamin-rosenbaum/2d13d1b8bd222470?ean=9781645660309&amp;next=t" target="_blank" rel="noreferrer noopener"><em>The Unraveling</em></a>.</p> <p>Cory Doctorow’s <a href="https://bookshop.org/p/books/little-brother-cory-doctorow/3ddcdf6e667f5b6d?ean=9780765323118&amp;next=t" target="_blank" rel="noreferrer noopener">entire</a> <a href="https://bookshop.org/p/books/attack-surface-cory-doctorow/b68029077ff0eac0?ean=9781250757517&amp;next=t" target="_blank" rel="noreferrer noopener">oeuvre</a> plays with near-future hackers finding ways around surveillance and control. The recent <a href="https://bookshop.org/p/books/we-will-rise-again-speculative-stories-and-essays-on-protest-resistance-and-hope-annalee-newitz/d52e1cea32724df2?ean=9781668095959&amp;next=t" target="_blank" rel="noreferrer noopener"><em>We Will Rise Again</em></a> anthology (edited by Annalee Newitz, Karen Lord, and Malka Older) is full of excellent answers to the questions raised above under the <em>Invisible Revolutions</em> seed—if you’ve been wanting more stories with hackers <em>and</em> gardeners and new ideas for resistance, you want to read this one.</p> <p>Most of golden age science fiction reflects the optimistic assumptions of high modernism, but <a href="https://bookshop.org/p/books/foundation-isaac-asimov/6ed489c68e59d9dc?ean=9780553293357&amp;next=t" target="_blank" rel="noreferrer noopener"><em>Foundation</em></a> is particularly illustrative. I don’t actually recommend the book for people who enjoy things like character development; I do recommend the <a href="https://www.imdb.com/title/tt0804484/" target="_blank" rel="noreferrer noopener">TV adaptation</a> for a modern take.</p> <p>On the non-fiction side, Dan Davies’ <a href="https://bookshop.org/p/books/the-unaccountability-machine-why-big-systems-make-terrible-decisions-and-how-the-world-lost-its-mind-dan-davies/0949fd041ef23828?ean=9780226843087&amp;next=t" target="_blank" rel="noreferrer noopener"><em>The Unaccountability Machine</em></a> looks at how institutions handle complex problems, and asks both how they can do a better job while hitting fewer of Scott’s failure modes, and why said handling is so often designed to avoid blame rather than find real solutions. Ursula Franklin’s <a href="https://bookshop.org/p/books/the-real-world-of-technology-ursula-franklin/7ee10478259fb3c7?ean=9780887846366&amp;next=t" target="_blank" rel="noreferrer noopener"><em>The Real World of Technology</em></a> comes at legibility from a different direction, contrasting tools designed for legibility and standardization with those designed for artisan expertise. And I’ve just started reading C. Thi Nguyen’s <a href="https://bookshop.org/p/books/the-score-how-to-stop-playing-somebody-else-s-game-c-thi-nguyen/10cacf42dab73bd5?ean=9780593655658&amp;next=t" target="_blank" rel="noreferrer noopener"><em>The Score: How to Stop Playing Somebody Else’s Game</em></a>. Nguyen asks why the effect of scoring in games is so different from the effect of quantified metrics in the larger society, and whether and how metrics can ever be made more functional than destructive. It all comes around again to the tradeoffs of legibility, and my margins are once again full of connections to Scott’s work.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>What are your favorite stories about surveillance, privacy, quantification, and resistance? Share in the comments![end-mark]</p> <p>The post <a href="https://reactormag.com/the-omnipotent-eye-versus-the-neighborhood-james-c-scotts-seeing-like-a-state/">The Omnipotent Eye Versus the Neighborhood: James C. Scott’s &lt;i&gt;Seeing Like a State&lt;/i&gt;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-omnipotent-eye-versus-the-neighborhood-james-c-scotts-seeing-like-a-state/">https://reactormag.com/the-omnipotent-eye-versus-the-neighborhood-james-c-scotts-seeing-like-a-state/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837852">https://reactormag.com/?p=837852</a></p>
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Posted by Emmet Asher-Perrin

Featured Essays Heated Rivalry

Heated Rivalry Is a Step Forward for Gay Asian Representation — But Also Highlights the Burgeoning Masculinity Crisis

Shane Hollander is upending western pop culture stereotypes around Asian men

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Published on January 27, 2026

Image credit: Sabrina Lantos/Crave

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<p class="syndicationauthor">Posted by Emmet Asher-Perrin</p><p class="ljsyndicationlink"><a href="https://reactormag.com/heated-rivalry-is-a-step-forward-for-gay-asian-representation/">https://reactormag.com/heated-rivalry-is-a-step-forward-for-gay-asian-representation/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837741">https://reactormag.com/?p=837741</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/featured-essays/" class="inline-block link-no-animation" aria-label="Link to term or tag Featured Essays 0"> Featured Essays </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/heated-rivalry/" class="inline-block link-no-animation" aria-label="Link to term or tag Heated Rivalry 1"> Heated Rivalry </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Heated Rivalry</i> Is a Step Forward for Gay Asian Representation — But Also Highlights the Burgeoning Masculinity Crisis</h2> <div class="prose post-hero-description prose--post-hero">Shane Hollander is upending western pop culture stereotypes around Asian men</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kevin-ng/" title="Posts by Kevin Ng" class="author url fn" rel="author">Kevin Ng</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 27, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Image credit: Sabrina Lantos/Crave</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/heated-rivalry-is-a-step-forward-for-gay-asian-representation/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 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title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 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3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="493" src="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry6-740x493.jpeg" class="w-full object-cover" alt="Hudson Williams as Shane Hollander in his hockey gear looking out onto the ice in Episode 104 of Heated Rivalry" srcset="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry6-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry6-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry6-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry6-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry6.jpeg 1920w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Image credit: Sabrina Lantos/Crave</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Come for the butts, stay for the exploration of queer Asian identity. When <em>Heated Rivalry </em>screencaps flooded my social media I didn’t think the show was for me—I’m not generally a romance fan and, despite growing up in Canada, have zero interest in hockey. But I caved, and there was a moment early in the first episode that captured my attention: the half-Asian protagonist Shane Hollander speaking to his mother and manager Yuna, the venerable Christina Chang, about the importance of being a role model to younger Asian kids.&nbsp;</p> <p>That brief conversation about representation could serve as a meta-narrative about <em>Heated Rivalry </em>itself. In Canada where I’m from, people of Asian descent are the largest and fastest-growing visible minority group. We make up over 20% of Canada’s population in comparison to the US’s 7%—that percentage increases to over 25% in big cities like Toronto and Vancouver. But you would never realize that if you flipped through your typical gay magazine, circuit party, or gay Instagram feed. Images of gay life remain distinctly whitewashed, and there was nearly thirty years between Ang Lee’s 1993 <em>Wedding Banquet </em>and 2022’s <em>Fire Island </em>to provide any mainstream representation of gay Asian life.&nbsp;</p> <p>Representation isn’t much better for our straight counterparts. It’s a phenomenon that shows the power that culture has over society. The “Yellow Peril” of the 1800s cast Asian men as servile, industrious, and peaceful while at the same time being beastly and uncivilized. For generations Asian men were portrayed in film as caricatures, from Christopher Lee’s Fu Manchu to Mickey Rooney’s Mr. Yunioshi in <em>Breakfast at Tiffany’s</em>.&nbsp;</p> <p>This pushback to this threat was a cultural emasculation of the Asian man. This reached a pinnacle in 1984’s <em>Sixteen Candles</em>, where the character of Long Duk Dong was portrayed as skinny and impotent. Even the <em>kung</em> <em>fu</em> boom of the 1990s, which brought Jackie Chan, Jet Li, and Bruce Lee into the mainstream, wasn’t enough to subvert these stereotypes. Despite being amongst the most profitable and physically fit movie stars, they were never marketed as being romantically or sexually desirable. It took 2018’s <em>Crazy Rich Asians </em>to convince Hollywood that an Asian man could be a bankable romantic lead—and even then, Henry Golding’s career hasn’t taken off the way many predicted it would. There is, of course, Keanu Reeves, whose film career has encompassed everything from action to romantic comedy (and, arguably, the gayest possible sports film in <em>Point Break</em>), but his ability to pass as white likely is a contributing factor.</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry2-1100x733.jpeg" alt="Christina Chang as Yuna Hollander and Hudson Williams as Shane Hollander sharing a tender moment in Episode 106 of Heated Rivalry" class="wp-image-837746" srcset="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry2-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry2-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry2-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry2-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry2.jpeg 1920w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Sabrina Lantos/Crave</figcaption></figure> <p>Which is why it’s so gratifying to see a gay Asian character as a main character in one of the biggest hits of the year. <em>Heated Rivalry </em>is based on a book series by Canadian author Rachel Reid, who explicitly describes the character as half-Asian (in an apparent nod to current Montréal Canadiens captain Nick Suzuki). There is, of course, a long legacy of Asian and other ethnic minority characters being whitewashed—Scarlett Johansson’s casting in 2017’s <em>Ghost in the Shell </em>being a prime example—so there was no guarantee on how Shane would be cast.&nbsp;</p> <p>The show’s creator and director Jacob Tierney not only doubles down on Shane’s Asianness, but expands upon the nuances of the character’s ethnicity beyond what is in Reid’s novel. “It was important to me because there are not a lot of people who are not white in the NHL, and there are not a lot of people who are not white as leads in romances either,” Tierney said in a Q&amp;A after the Toronto premiere. “I think a lot about Shane’s personality is as an outsider, and to me Shane had to be Asian. It would just be monstrous to make him white.”&nbsp;</p> <p>Tierney’s writing is effective because it is specific—the character of Shane is not meant to represent the totality of the Asian experience. There is a precision to the way Tierney writes about Yuna, who represents a very specific kind of East Asian mother; Shane’s overwhelming perfectionism and pressure to act as a role model for all Asians; the nerd-chic of the glasses; how his white last name provides him with some level of social capital; how he folds his clothes before sex.</p> <p>But the character of Shane also reveals the limits placed upon gay Asian men when it comes to masculinity. Hockey is, even within the world of professional sport, a hypermasculine space—the NHL is the one major men’s sports league with no out gay players in its history. The cultural emasculation of Asian men also extends into the gay world: the classic “<a href="https://globalnews.ca/news/5390380/racism-dating-apps/" target="_blank" rel="noreferrer noopener">no fats, no femmes, no Asians</a>” may be less common on Grindr than it was a decade ago, but the stereotypes of Asian men as effeminate, submissive bottoms still persist.&nbsp;</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry3-1100x733.jpeg" alt="Connor Storrie as Ilya Rozanov and Hudson Williams as Shane Hollander having sex in the shower in Episode 104 of Heated Rivalry" class="wp-image-837747" srcset="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry3-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry3-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry3-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry3-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry3.jpeg 1920w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Sabrina Lantos/Crave</figcaption></figure> <p>These feminized stereotypes of gay Asian men are, in some ways, a twisted subversion of how Asian women have historically been portrayed in cinema. From Anna May Wong to Lucy Liu, Asian women have been portrayed either as sinister <em>femme fatales </em>or submissive innocents. Whether threatening or deferential, Asian men and women alike are often typecast into roles where their sexuality solely exists in relation to white masculinity. We can be fetishized or exoticized, these stereotypes seem to suggest, but we are no real threat: at the end of the day, order will be restored, the white man will end up with the white girl, and all will be right with the world.</p> <p>It’s no wonder, then, that gay Asian characters like Shane, or Joel Kim Booster and Conrad Ricamora’s characters in <em>Fire Island </em>conform to white gay standards of masculinity: the chiseled jawlines, the broad shoulders, the defined abs. A large part of this comes from the myth that representation is a zero-sum game. White, straight viewers, apparently, cannot possibly relate to characters who are not exactly like themselves; if shows about non-white characters are jockeying for screentime with shows about non-straight characters, the statistical likelihood of a gay Asian lead becomes vanishingly small.&nbsp;</p> <p>But without our own role models for masculinity, are we fated to fall into white standards of masculinity?&nbsp;</p> <p>It’s a particularly striking question when K-pop seems poised to take over American culture. <em>KPop Demon Hunters </em>was Netflix’s unexpected runaway success of 2025, offering an entirely different aesthetic of masculinity shaped by the open vulnerability and slim androgyny of BTS and Exo. Soon, Asian men will be caught between two wildly different masculine ideals, both culturally and aesthetically restrictive in their own ways—though two options are better than one. But in a predominantly white society the choice is clear: conforming to the aesthetic ideals of the dominant culture gives greater access to cultural and political capital.</p> <p>You can see this clearly walking down the streets of San Francisco, New York, Vancouver, or Toronto: the hordes of Asian tech and finance bros with their Patagonia vests and Equinox memberships, manifesting their version of the American Dream. Andrew Yang’s cryptocurrency-forward, Joe Rogan-adjacent political career epitomizes both the folly and tragedy of trying to conform to white standards of masculinity for widespread acceptance, whether on television or in real life.</p> <p>Shane Hollander is, of course, a top-ranked hockey player, and it would be ridiculous for him not to be muscular. But the construction of masculinity is so much more than physical appearance, even if the show’s marketing has been able to capitalize off the proliferation of thirsty screen grabs. Confidence, dominance, control: all of these are explored as facets of Shane’s personality and shapes how he manages (or doesn’t manage) his relationships.&nbsp;</p> <figure class="wp-block-image aligncenter size-large"><img loading="lazy" decoding="async" width="1100" height="733" src="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry1-1100x733.jpeg" alt="Connor Storrie as Ilya Rozanov and Hudson Williams as Shane Hollander facing Shane&#39;s parents in Episode 106 of Heated Rivalry" class="wp-image-837745" srcset="https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry1-1100x733.jpeg 1100w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry1-740x493.jpeg 740w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry1-768x512.jpeg 768w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry1-1536x1024.jpeg 1536w, https://reactormag.com/wp-content/uploads/2026/01/heated-rivalry1.jpeg 1920w" sizes="auto, (max-width: 1100px) 100vw, 1100px" /><figcaption class="wp-element-caption">Image: Sabrina Lantos/Crave</figcaption></figure> <p>To me it’s not surprising that he struggles, on account of not just his sexuality but his ethnicity, to navigate life off the rink within the white, hypermasculine world of competitive hockey. It’s equally unsurprising that Shane and Ilya, as cultural outsiders in their own ways, are not offered the whirlwind fairytale romance of Scott and Kip—and thank goodness for that. The emotional payoff of Shane and Ilya’s eventual happy ending is so much the more satisfying after seeing how each has struggled to define themself in relationship to their respective cultures.</p> <p>Shane’s ethnicity is brought up three times in the series: once with a hockey executive, once with his then-girlfriend Rose Landry, and in the final episode when Ilya asks about Shane’s parents. In all of these conversations there is an ambiguity—his ethnicity is at once a marketing boon and liability, one that automatically makes him a candidate to be bullied in his youth and then a role model in adulthood. Shane’s ethnicity is always explored in relation to others, whether it be his bosses, fans, sponsors, or peers. In each of these interactions, you see how his ethnicity comes with the weight of expectation, of fulfilling a particular role—and you see how that expectation prevents him from leading an authentic, free life. There&#8217;s satisfaction, too, in using hockey—<a href="https://www.espn.com/nhl/story/_/id/34824468/nhl-releases-first-diversity-inclusion-report" target="_blank" rel="noreferrer noopener">the whitest major league sport</a>—as a medium through which to explore queer Asian masculinity, as if subverting the decentering and desexualization of Asian men in the UFC world despite its origins in Asian martial arts.</p> <p>It’s notable that both Reid’s books and Tierney’s television series have been a hit amongst women, a fact that they attribute to the fact that <a href="https://www.cosmopolitan.com/entertainment/tv/a69733298/why-women-love-heated-rivalry/" target="_blank" rel="noreferrer noopener">many women crave seeing a world free of the patriarchal power dynamics of straight relationships</a>. Yet what this relationship offers is an opportunity to explore the nuances of how hierarchies in power and dominance can be viewed through the synergistic or competing lenses of gender and race. These hierarchies are materialized in Shane and Ilya’s professional rivalry, which poses a further barrier to unmasculine displays of tenderness or intimacy beyond the masculine ideals of race, country, and career. We each embody a multitude of patriarchies.</p> <p>What Reid and Tierney understand is that the experience of an ethnic minority is similar in many ways to that of being queer. There’s a constant need to code-switch, to surveil one’s environment in order to understand which aspects of one’s identity are safe or advantageous to reveal, and a guilt in either conforming or subverting stereotypes. It’s doubly exhausting when both of these identities are at play, and when the expectations and stereotypes of both identities begin to intersect and deviate. <em>Heated Rivalry </em>succeeds because it serves as a meta-narrative about queer Asian identity itself: How much should it divulge about its sexuality versus its ethnicity? How does it conform to or subvert gender tropes? And how does its proximity to whiteness inform its success?[end-mark]</p> <p>The post <a href="https://reactormag.com/heated-rivalry-is-a-step-forward-for-gay-asian-representation/">&lt;i&gt;Heated Rivalry&lt;/i&gt; Is a Step Forward for Gay Asian Representation — But Also Highlights the Burgeoning Masculinity Crisis</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/heated-rivalry-is-a-step-forward-for-gay-asian-representation/">https://reactormag.com/heated-rivalry-is-a-step-forward-for-gay-asian-representation/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837741">https://reactormag.com/?p=837741</a></p>
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Posted by Molly Templeton

News Daredevil: Born Again

The Important Thing About This Daredevil: Born Again Season 2 Teaser Is That It Features Jessica Jones

And she’s not carrying Matty anywhere

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Published on January 27, 2026

Photo: Marvel Television

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/daredevil-born-again-season-2-teaser/">https://reactormag.com/daredevil-born-again-season-2-teaser/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837846">https://reactormag.com/?p=837846</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/daredevil-born-again/" class="inline-block link-no-animation" aria-label="Link to term or tag Daredevil: Born Again 1"> Daredevil: Born Again </a> </span> </div> <h2 class="post-hero-title text-h1">The Important Thing About This <i>Daredevil: Born Again</i> Season 2 Teaser Is That It Features Jessica Jones</h2> <div class="prose post-hero-description prose--post-hero">And she&#8217;s not carrying Matty anywhere</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 27, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo: Marvel Television</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/daredevil-born-again-season-2-teaser/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 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https://reactormag.com/wp-content/uploads/2026/01/Jessica-768x475.jpg 768w, https://reactormag.com/wp-content/uploads/2026/01/Jessica-1536x949.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/01/Jessica.jpg 1600w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo: Marvel Television</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Jessica Jones (Krysten Ritter) is back, and her outfits haven&#8217;t changed (much). <em>Daredevil: Born Again</em> is also finally back, though a little later than expected: the second season of the Disney+ series now premieres on March 24. (Unless they move it again, as they are frequently wont to do.)</p> <p>And how are things in Hell&#8217;s Kitchen? Well. You know. Bloody, violent, sometimes confusing, scattered with brief scenes of all the characters you know and love or loathe. Also, Matthew Lillard is here as Mr. Charles, a character <a href="https://movieweb.com/matthew-lillard-daredevil-born-again-season-2-character-details/" target="_blank" rel="noreferrer noopener">he&#8217;s said</a> is &#8220;completely new to Hell&#8217;s Kitchen&#8221; who doesn&#8217;t wear &#8220;any lycra of any kind.&#8221; </p> <p>The teaser is set to Donald Glover&#8217;s song &#8220;Lithonia,&#8221; and there&#8217;s so little dialogue that it winds up feeling like one of those awkward music videos for a movie&#8217;s theme song. I hadn&#8217;t thought about Babylon A.D.&#8217;s <em>RoboCop 2</em> tie-in song &#8220;<a href="https://www.youtube.com/watch?v=Bo_n0kxWhng" target="_blank" rel="noreferrer noopener">The Kid Goes Wild</a>&#8221; for a hundred years, but this teaser made me think of it. And the video.</p> <p>Karen (Deborah Ann Woll) and Matt (Charlie Cox) are either continuing their on-again, off-again dance, or he&#8217;s hallucinating about it; Foggy Nelson (Elden Henson) appears for a brief moment, presumably in flashback; Kingpin (Vincent D&#8217;Onofrio) is in a boxing ring; his Anti-Vigilante Task Force is still in action; and Foggy&#8217;s murderer Bullseye (Wilson Bethel) is smirking. The Punisher is not here at the moment, being otherwise occupied.</p> <p>The first season of <em>Born Again</em>, as Joe George wrote, <a href="https://reactormag.com/daredevil-born-again-offers-a-much-needed-corrective-to-relentless-copaganda/" target="_blank" rel="noreferrer noopener">was a much-needed correction to relentless copaganda</a>. Will this season continue that theme, or crumple into something lesser? We&#8217;ll find out in two months. [end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="10720"/> </div></figure> <p>The post <a href="https://reactormag.com/daredevil-born-again-season-2-teaser/">The Important Thing About This &lt;i&gt;Daredevil: Born Again&lt;/i&gt; Season 2 Teaser Is That It Features Jessica Jones</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/daredevil-born-again-season-2-teaser/">https://reactormag.com/daredevil-born-again-season-2-teaser/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837846">https://reactormag.com/?p=837846</a></p>
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Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: Mat, Perrin, and Faile Contemplate Marriage and Duty in The Gathering Storm (Part 14)

Sylas analyzes some introspective, transitional chapters this week.

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Published on January 27, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-mat-perrin-and-faile-contemplate-marriage-and-duty-in-the-gathering-storm-part-14/">https://reactormag.com/reading-the-wheel-of-time-mat-perrin-and-faile-contemplate-marriage-and-duty-in-the-gathering-storm-part-14/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837816">https://reactormag.com/?p=837816</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: Mat, Perrin, and Faile Contemplate Marriage and Duty in <i>The Gathering Storm</i> (Part 14)</h2> <div class="prose post-hero-description prose--post-hero">Sylas analyzes some introspective, transitional chapters this week.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on January 27, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/reading-the-wheel-of-time-mat-perrin-and-faile-contemplate-marriage-and-duty-in-the-gathering-storm-part-14/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 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</li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 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post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: The Gathering Storm" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12.png 951w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Mat and the Band, along with their entourage of Aes Sedai and captured <em>sul’dam</em>, make their way down an ancient and broken road, one that must have been built before the Breaking, as Vanin tries to pin down their position on one of Master Roidelle’s maps. Mat complains about women to Talmanes, riding beside him, using a dice game as an increasingly intense and winding metaphor for women’s behavior. Talmanes responds blandly, and occasionally teasingly.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>When Mat had first realized what his marriage to Tuon meant, he’d laughed, but it had been the laughter of incredulous pain. And men called him lucky. Well why couldn’t his luck have helped him avoid <em>this</em> fate! Bloody Prince of the Ravens? What did <em>that</em> mean?</p></blockquote></figure> <p>Mat tries to turn his attention back to the needs of his men, considering how they will make it out of Altara safely and whether or not the Seanchan will send an army to pursue them. But this only leads him back to worrying about Tuon, and he finds himself asking Talmanes if he made the right decision, letting her go. Talmanes points out that Mat did promise to do just that, and there would have been trouble if he refused. He also tells Mat that he is being “downright husbandly,” and suggests Mat is mooning after his new wife. </p> <p>When Vanin returns from scouting ahead, he is able to report their exact location and that there is a village a little way ahead. This report catches the attention of the Aes Sedai. Led by Joline, they begin to question Vanin about the village and how far they are from Caemlyn. The Aes Sedai are unsatisfied with the slow pace of the Band. Mat refuses to leave them, but tells the Aes Sedai they are more than welcome to go ahead. However, as discussion of what the sisters would need to complete the journey continues, Mat is frustrated and curt with the sisters’ desires for multiple mounts, food and money, and soldiers to accompany them. The resources he offers in return will not allow the Aes Sedai to travel much faster than the band already is, so they decline his offer.</p> <p>Mat is both curt and rude during this conversation, and he notices the Aes Sedai, Teslyn in particular, looking disappointed in him. When they are gone, Talmanes remarks that Mat’s behavior was odd, and points out that what the Aes Sedai asked for would be worth giving, to be rid of them. Mat responds that he won’t be pushed around, and if Joline wants something from him she can ask politely. Talmanes, a little struck, observes that Mat really does miss Tuon, and that the worry has him on edge.</p> <p>They discuss their poor supplies, and how difficult it is to find anything to eat even in the villages, these days; the village up ahead might not have enough extra to want to sell to the Band, no matter how much coin they are offered. Mat begins to form a plan to take himself and Talmanes into the village to enjoy themselves at a tavern, and resupply in the process—without paying at all, if his luck is with him.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>If Egwene or Nynaeve had been there, they’d have boxed his ears and told him he was going to do no such thing. Tuon probably would have looked at him curiously and then said something that made him feel his shame right down into his boots.</p></blockquote></figure> <p>Perrin awakens in the wolf dream to find himself hanging hundreds of feet in the air. Hopper flies past him and lands on the ground, urging him to jump down. Perrin is frightened, but after a moment convinces himself to imagine jumping down and finds him landing on his feet in the field below. He notices that the sky, usually changeable here in the Dream, is full of dark storm clouds and lightning. Hopper tells him that the Last Hunt is coming.</p> <p>Hopper suggests they run together, then teases Perrin for choosing to run as he is, on two legs. Perrin tries to explain his fear of losing control, of giving in to the wolf. Hopper doesn’t understand, even when Perrin suggests that he doesn’t want to hunt with Hopper. The wolf urges him, still, to run, and to forget these confused thoughts, but Perrin is insistent. He asks Hopper how to use the Dream, and how to control it.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>Men</em>, Hopper thought, Sending the smells of dismissiveness and anger. <em>Control. Always control.</em><br><br>“I want you to teach me,” Perrin said, turning back to the wolf. “I want to master this place. Will you show me how?”</p></blockquote></figure> <p>When Hopper continues to be uncooperative, Perrin declares that he will find other wolves to teach him. This prompts Hopper to question why he would look for wolves, if he doesn’t want to run. Perrin tries leaping great distances and succeeds, and yet somehow Hopper is always there in front of him—not leaping, but transferring from one place to another. Feeling other wolves, or something like other wolves, in the distance, Perrin pushes himself farther, while Hopper warns him that what he is doing is dangerous. He throws Perrin out of the Dream, instructing him to return when he isn’t “determined to poke [his] snout into a fireasp’s den.”</p> <p>In the waking world, Faile is waiting for Perrin to settle down into a deeper sleep; unfortunately, he is quite restless. She reflects how good it has been to be back together, though she has noticed a sadness about him that wasn’t there before her kidnapping.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>He had grown haunted while they were apart. She could understand that. She had a few ghosts of her own. One could not expect everything to remain the same, and she could tell that he still loved her—loved her fiercely. That was enough, and so she didn’t worry on it further.</p></blockquote></figure> <p>Perrin wakes suddenly, pulling her closer into his arms, and declares abruptly that he didn’t sleep with Berelain. She assures him that she believes him, but Perrin worries when he smells jealousy on her. She explains to him, not for the first time, that a husband needs to know his wife is jealous so that he will know she cares for him.</p> <p>Attempting to get Perrin to go back to sleep, Faile closes her eyes and thinks about Malden, and how it was there that she truly learned what it means to be a lady. There she was needed more desperately than she ever had before, and there was no room for games, or mistakes.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Being a noblewoman meant going first. It meant being beaten so others were not. It meant sacrificing, risking death, to protect those who depended upon you.</p></blockquote></figure> <p>Perrin tells her that he doesn’t care what she had to do to survive. He tries to forgive her for potentially having had to sleep with her captors, and Faile, annoyed, tells him off for assuming she couldn’t take care of herself. Eventually Perrin drifts off, muttering about Rand’s hand and hunting. Once he starts snoring, Faile slips away.</p> <p>Joined by Arrela and Lacile, and later by Alliandre, Faile travels into the wood, where they meet Bain and Chiad. Both women are <em>gai’shain</em> to Gaul now after he killed the Shaido they were <em>gai’shain</em> to before. They give Faile a bundle, inside which they each find an item belonging to an Aiel who protected them while they were captives.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Four people are dead,” Faile said, mouth suddenly dry. She spoke formally, for that was the best way to keep the emotion from her voice. “They protected us, even cared for us. Though they were the enemy, we mourn them. Remember, though, that they were Aiel. For an Aiel, there are far worse ends than death in combat.”</p></blockquote></figure> <p>But it is not so easy for Faile and Lacile. Lacile killed Jhoradin, a man she cared for, maybe loved. Faile killed Kinhuin, who was a friend, though she isn’t sure whether or not she distracted Rolan intentionally, so that Perrin could kill him. Faile knows there is nothing else they could have done, and now she understands a lesson her father once tried to teach her, about how you sometimes have to kill people you like simply because they are on the wrong side of the battlefield. But that only makes the situation more tragic.</p> <p>They burn the items one by one. They discuss the honor these Brotherless and the one Maiden showed, and how they owe the dead <em>toh</em> that can never be repaid, but can be remembered. Each of them speaks about something beautiful or valuable about the person who died, and then they return to camp.</p> <p>Perrin has awakened to find Faile gone. He is thinking over Hopper’s words to him in the dream, over his own determination to ride to the Last Battle and the decisions he has to make to get there.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Sometimes when I think about Mat I imagine everyone who knows him singing that song from the beginning of <em>The Sound of Music</em>. You know, the one the nuns sing about how Maria is fun but also a disaster and they call her a flibbertijibbet and a clown?</p> <p>Yeah. That’s kind of how everyone feels about Mat, I think.&nbsp;</p> <p>As annoying as he is in this chapter (shout out to the long-suffering Talmanes), I suppose I can’t blame Mat for being thrown off by his rather sudden marriage. After all, he didn’t know what he was starting when he accidentally performed his half of the marriage ceremony, and that left him in a position where he had no agency over his own fate. Even with his foreknowledge of what that fate would be, the passivity of his position—waiting for the axe to fall, so to speak—must have grated on Mat.</p> <p>In this section, Mat brings up the fact that he doesn’t like fighting, that he never chooses to fight unless he has to. I imagine this doesn’t ring as truth to Talmanes, or anyone else Mat has said it to, because from the outside it does look like Mat is seeking these things out. We the readers have been inside Mat’s head and seen the way the Pattern has pushed him into positions to do what needs to be done, but it won’t necessarily look like his hand is being forced by anyone or anything other than his own desires.</p> <p>Rand isn’t the only one who is more trapped by the Pattern than the average man. All three <em>ta’veren</em> are agents of the Wheel, and as much as they affect the weave around them, they are also beholden to the weave, which created them (or at least this power within them) for a specific purpose. Mat doesn’t look at things from the same cosmic perspective that Rand has taken, but when you really dig down into it, his complaints are very similar to Rand’s. He is aware that his own desires are not what controls the situations in which he finds himself, and that he is employing skills that aren’t even his through normal means. He is an agent of fate, both catalyst and prisoner of the weave, and I can’t blame him for itching under that strain.&nbsp;</p> <p>Of course, Mat also has a strong moral streak; for all he keeps thinking that he is going to leave the next Aes Sedai or captured woman “weeping in her bonds,” we all know that’s just talk. Mat is a good person, and doesn’t turn his back on the right thing to do, even when he wishes he could take the easier and safer course. From Mat’s perspective, I think this also feels like his hand being forced—but in reality, he is making a choice based on his own moral compass and his strong sense of compassion for other people. Mat is a very kind person, when it comes right down to it—he just forgets this sometimes. Other people can forget it, too, since he also has a bit of a selfish streak, and because he is impulsive and mischievous. </p> <p>It’s also clear that Mat is focusing on little things and little worries, like whether or not being a husband means he can’t go out drinking or gambling anymore (plenty of married men in this world do both, I am quite confident, even in the Two Rivers) because focusing on the big worries, like the fact that he may end up having duties and responsibilities to the Seanchan Empire, seems like too much to face right now. We even see it directly in the text, in the moment when Mat suddenly remembers that he is a nobleman now, then immediately tells himself not to think about it.</p> <p>Talmanes is clearly aware of what’s going on with Mat and is content to humor him, for the most part, and occasionally tease him about it. But when Mat is ruder and more hostile towards the Aes Sedai than usual, Talmanes realizes that Mat is also genuinely concerned about Tuon, worried enough that it has exacerbated his usual rough tongue and animosity towards the Aes Sedai into something, as Talmanes puts it “outright rude” and “intentionally insulting.”</p> <p>To be honest, I didn’t see Mat’s response to the Aes Sedai as being as rude or insulting as the Aes Sedai and Talmanes saw it to be. Mat is always rude to the Aes Sedai. And really, the Aes Sedai’s demands for so much in a time of limited resources, after Mat and his men rescued them and helped them escape, did seem rather unreasonable to me. Sure, Mat was rude, and it would have made him look better to have the discussion in a polite, measured manner. But the Aes Sedai were being rude first! And they think they should just get things from Mat, horses and men and resources, just because they’re Aes Sedai. I’m honestly kind of on Mat’s side here. Though I don’t think being rude to the Aes Sedai was a <em>smart</em> idea.</p> <p>There’s not much more to say about chapter 20 really, since it’s a traveling chapter and not much happens. I’m curious about Mat’s plan to get supplies without paying, and I find myself wondering how he will manage it without taking advantage of a village that might not have much to spare.</p> <p>I also noticed that Mat has picked up a little of Tuon’s tendency to look for signs and portents, despite his best efforts. This plays into the things I was talking about in last week’s post, the way a new culture and new beliefs can seem silly at first, but might come to make sense to us in time. Mat knows Tuon is smart and capable, and it is perhaps not so easy to dismiss her beliefs as a foolish, knowing that.</p> <p>Also, his momentary reflection that he hasn’t seen sunlight in as long as he has seen Tuon and the impulse to connect the two was impossibly sweet.&nbsp;</p> <p>Meanwhile, we have Perrin and Faile, who are much farther along in their relationship and doing a very different version of getting to know (or rather, re-getting to know) each other after their time apart.</p> <p>I really respected Faile’s perspective in chapter 21. She is a very wise person, and her observations that it is good for people to change struck me as particularly important, especially since she and Perrin are the most established long-term relationship amongst our young heroes.</p> <p>I am not a therapist or a relationship counselor, but I’ve always felt that one of the reasons relationships, especially long ones like marriages, eventually fall apart is because it can be difficult to understand and remember that people change. We will be very different people five years after our marriage started, never mind ten, or twenty, or thirty. Both people in the relationship will grow and change and evolve, and if we aren’t paying attention, we might not notice how different our partner has become. Or perhaps we have grown and changed in different directions, or aren’t compatible the way we once were.</p> <p>Faile’s awareness of the necessity of change, and her approval of it, will serve her well as a partner, I think. She’ll be able to weather the experiences she and Perrin go through in life, as she is weathering this time apart and the trauma they both went through while she was a captive. Expecting change, and knowing that it is a good and necessary part of life, will help her appreciate her husband as he evolves and grows, and help her navigate the changes he may suffer due to his fated condition as a <em>ta’veren</em> who is intimately connected to the Dragon Reborn.</p> <p>I’m so curious to see if Perrin will ever tell Faile about being a wolf brother. I feel like he has to, eventually—it is too big a piece of himself to hide from someone he is so close to. And if he does eventually share this part of himself with her, I have a feeling that Faile might be useful in helping him navigate it. Not because she understands wolves or wolf brothers, but because she understands people.</p> <p>I’m having one of those moments, as I do from time to time, where I can’t remember what I’ve already covered of a particular subject or theme in The Wheel of Time and what I’ve only thought about, so I apologize if we’re retreading some old ground. But Perrin’s conversation with Hopper and his thoughts at the end of the chapter have me thinking, again, about how he misunderstands his own capacity for anger and violence.</p> <p>The violence of man is different from that of nature. Wolves don’t make war, or kill out of hatred. They kill when it is necessary, for food or to protect themselves or their pack. Men are the ones who make war, who crave dominance over others or strike out because of hatred, or covetousness, or a love of violence for violence’s sake. And yet Perrin has decided that the part of him that desire violence—the part that would cut off a man’s hand to get information to save Faile, the part that is filled with rage at the thought of her being hurt, or the thought of other innocents suffering—is the wolf part, not the man.</p> <p>He goes into the Wolf Dream with the desire to learn how to collar the wolf side of himself, to put it on a leash and direct it. He also wants to control <em>Tel’aran’rhiod</em>, to learn how to manipulate and use the Dream to his advantage. But Hopper is confused by these desires, either not understanding them at all (Perrin’s fear of his own impulses) or identifying what Perrin is talking about as a thing of men, not of wolves (when Perrin says he needs to learn how to control the Dream.)</p> <p>It really feels like Perrin isn’t listening to Hopper at all in this scene, like he is talking <em>at</em> him, not to him, and is ignoring Hopper’s sendings in reply. And I’m curious how much of this is Perrin just being stuck in his own thoughts, and how much is an error of translation.</p> <p>We are reminded periodically that the “words” we get from the wolves are translations Perrin is making out of the images and scents and feelings the wolves send each other in order to communicate. One assumes it works the same way in reverse, that Perrin’s words must be translated into image and feeling in order for the wolves to understand him. What would the words “I frighten myself when I lose control,” translate to, for Hopper. How would he understand what Perrin means? Is it even possible for a wolf to comprehend such an idea?</p> <p>And on the other side, we have Perrin’s desire to be taught about the Dream World. Hopper is dismissive of the idea of controlling it, but his offer to run with Perrin might very well be an offer to show Perrin the Dream and how to navigate it. What could Perrin learn from the wolf simply by traversing <em>Tel’aran’rhiod</em> with him? What could Perrin learn about understanding <em>himself</em>, and the wolf side of himself, if he were willing to explore it, here in the Dream, with the wolf that gave his life to protect Perrin’s?</p> <p>I have a lot of empathy for Perrin’s predicament. I, too, am someone who spent a lot of my life not trusting my own emotions. I felt like they needed to be controlled, and that control mostly meant suppression. It’s only recently that I’ve come to understand that suppressing your emotions, trying to make them small or put them in a box, actually makes you less able to handle them, less aware of when they are controlling you. Feeling and understanding your emotions is actually where it’s at.</p> <p>But Perrin is terrified of this part of himself, is terrified of the emotions he associates with violence, like anger, fear, and selfishness. The more he tries to control them, to put them on a leash, the less understanding he has of his own nature. He may have thrown the axe away, and he may be aware of the need to make better choices, but I don’t think he understands, really, how to make those choices—how to let his emotions inform him without overwhelming him, how to mitigate his emotional overwhelm with good sense.</p> <p>You know, all the things Faile appears to be very good at.</p> <p>We see this throughout the series, but it’s particularly evident in the funeral scene, where Faile allows herself to feel the grief and regret and even guilt that she feels over the death of their Aiel protectors, and particularly over Rolan. She acknowledges her part in the deaths, and allows herself to feel regret while also acknowledging the fact that what happened really was unavoidable. She grieves, but she also lets go, and what’s more, she helps the other women do the same. She acknowledges their losses and their grief, never telling them not to feel (the way she forebears pointing out to Lacile that she would never have gone with Jhoradin even if things had been different is a particularly clear example of this) but also makes a point of reminding them of the Aiel cultural beliefs around death, and particularly death in combat.</p> <p>This is why taking a moment to have the little ceremony is so important. There is a moment in the text in which we learn that Bain and Chiad told Faile that there was no dishonor in leaving the bodies behind, which is good because it means that the women don’t have to carry any cultural shame along with the <em>toh</em> they owe to their protectors. But funerals aren’t for the dead, who aren’t there anymore to appreciate them. Funerals are about the living. They are there to give an opportunity to mourn, to experience and even display emotion, to allow it freely in our bodies and our outward expressions. This is how we find closure and peace on the other side of those emotions, even if those emotions also stay with us for a long time, or even for the rest of our lives.</p> <p>Faile is a good leader, even more so after her experience in Malden. She reflects in this section about the sacrifices required of a good leader, about how being a lady means going first, accepting suffering to spare others from that suffering. Reading it, I found myself wondering if Faile and Tuon would get along—not in every way, certainly, but in this way. Tuon might see in Faile someone who understands ruling the way she does, who is aware of, and capable of, making sacrifices for the good of her people and not seeing herself as above them, but rather as responsible for them.</p> <p>It’s an interesting distinction to make, and one that Faile reflects on indirectly when she considers how she used to bully people to get her way. It’s also an interesting distinction for me to consider, given my personal dislike of the hierarchical nature of the Seanchan system. None of my other observations or objections to Seanchan culture are made relevant by this consideration, but if Tuon thinks of herself as being deserving of particular honors and respect because of the service she performs in her role as soon-to-be Empress, that does matter a lot, when it comes to understanding her morality as a person.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Next week we will be covering chapters 22 and 23 of <em>The Gathering Storm</em>. I can’t preview what is going to happen for you, however, because I haven’t read them yet! But I do know Semirhage is up to no good. Which probably goes without saying.</p> <p>A final thought:</p> <p>There is an exchange between Perrin and Hopper in the Dream, in which Hopper tells Perrin that they will hunt together in the Last Hunt unless “Shadowkiller falls to the storm,” in which case they will all sleep forever. I assume that Shadowkiller is Rand, as the storm is clearly the Dark One and his forces (aka the Shadow), and what Hopper is calling sleeping forever is some kind of non-existence, one that will occur if the Dark One wins and destroys creation. It’s interesting to me that the wolves have a concept of this, given how much I have mused upon the idea that the Forsaken think they’ll get to rule the world once the Dark One is in control, when I think it’s much more likely that the Dark One will destroy everyone and everything.</p> <p>Souls exists outside of the world—they can be touched and controlled by the Dark One, and ostensibly by the Creator as well. They can be spun back into the Pattern, but does that mean that they can also exist somewhere outside the Pattern? If the Dark One was triumphant and did destroy the Pattern, would the souls of the world cease to exist? Or would the exist somewhere in a different state than life?</p> <p>When Hopper uses the word “sleep” or rather, sends an image that Perrin interprets as “sleep,” does he mean non-existence or something else? And as a wolf existing in <em>Tel’aran’rhiod</em>, does he know something that is true? Or is this merely a belief, like a religion for wolves?</p> <p>I don’t know the answer to any of these questions, but it is interesting to contemplate.</p> <p>Have a great week friends, and I hope those who experienced a lot of snow these past few days are staying safe and warm.[end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-mat-perrin-and-faile-contemplate-marriage-and-duty-in-the-gathering-storm-part-14/">Reading The Wheel of Time: Mat, Perrin, and Faile Contemplate Marriage and Duty in &lt;i&gt;The Gathering Storm&lt;/i&gt; (Part 14)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-mat-perrin-and-faile-contemplate-marriage-and-duty-in-the-gathering-storm-part-14/">https://reactormag.com/reading-the-wheel-of-time-mat-perrin-and-faile-contemplate-marriage-and-duty-in-the-gathering-storm-part-14/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=837816">https://reactormag.com/?p=837816</a></p>
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Posted by Ashley Belanger

Anxiety, depression, eating disorders, and death. These can be the consequences for vulnerable kids who get addicted to social media, according to more than 1,000 personal injury lawsuits that seek to punish Meta and other platforms for allegedly prioritizing profits while downplaying child safety risks for years.

Social media companies have faced scrutiny before, with Congressional hearings forcing CEOs to apologize, but until now, they've never had to convince a jury that they aren't liable for harming kids.

This week, the first high-profile lawsuit—considered a "bellwether" case that could set meaningful precedent in the hundreds of other complaints—goes to trial. That lawsuit documents the case of a 19-year-old, K.G.M, who hopes the jury will agree that Meta and YouTube caused psychological harm by designing features like infinite scroll and autoplay to push her down a path that she alleged triggered depression, anxiety, self-harm, and suicidality.

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Posted by Jennifer Ouellette

Warning: Unclogging a restaurant's grease trap is not for the faint of heart.

Large swathes of the US were blanketed in snow and ice over the weekend, and what better way to spend a snow day than going down a YouTube rabbit hole? Everyone has their favorite oddity: ASMR, jazzy pop song covers, cooking channels, or what have you. But DIY enthusiasts in particular are missing out if they're not watching Drain Cleaning Australia, featuring an Australian plumber known only as Bruce as he goes about his daily business of shooting high-powered water jets into stubborn clogged drainage systems. It's "the YouTube channel you never knew you needed." And it's done so well that he's now launched a second channel, Bruce the Plumber.

I stumbled upon the Drain Cleaning Australia channel via Amy Poehler's Good Hang podcast episode with Kate McKinnon, who is a big fan and does a dead-on delivery of Bruce's trademark lines ("You little rippah!"). Bruce never appears in his videos, apart from his hands and the occasional shadow as he films various challenging jobs with his intrepid smartphone. He seems to have struck a good balance between online popularity and protecting his personal privacy. (Bruce did not respond to our interview request. It's okay, mate, we know all those drains Down Under aren't going to unclog themselves.)

Armed with his trusty collection of jet nozzles and "Mister Plungey," Bruce has removed all manner of nasty things from drains over the years: masses of human hair from shower drains; tree roots; plastic bags and other refuse that somehow found their way into drainage systems; and the less said about the many clogged toilets, the better.

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Posted by Ryan Whitwam

It can be hard sometimes to keep up with the deluge of generative AI in Google products. Even if you try to avoid it all, there are some features that still manage to get in your face. Case in point: AI Overviews. This AI-powered search experience has a reputation for getting things wrong, but you may notice some improvements soon. Google says AI Overviews is being upgraded to the latest Gemini 3 models with a more conversational bent.

In just the last year, Google has radically expanded the number of searches on which you get an AI Overview at the top. Today, the chatbot will almost always have an answer for your query, which has relied mostly on models in Google's Gemini 2.5 family. There was nothing wrong with Gemini 2.5 as generative AI models go, but Gemini 3 is a little better by every metric.

There are, of course, multiple flavors of Gemini 3, and Google doesn't like to be specific about which ones appear in your searches. What Google does say is that AI Overviews chooses the right model for the job. So if you're searching for something simple for which there are a lot of valid sources, AI Overviews may manifest something like Gemini 3 Flash without running through a ton of reasoning tokens. For a complex "long tail" query, it could step up the thinking or move to Gemini 3 Pro (for paying subscribers).

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Jan. 27th, 2026 01:04 pm
maju: Clean my kitchen (Default)
[personal profile] maju
The night before last I had a very unsettling incident in the middle of the night when I got up to use the bathroom. My basement room is fairly long, with the bed at one end with a chest of drawers next to it acting as a nightstand, then an L-shaped couch along the wall next to that, then behind the shorter side of the couch a short hall leading to the stairs up to the main floors of the house. On one side of the hallway is a bathroom/laundry, and on the other is the girls' art room. Some light comes through the two small basement windows so it's not completely dark in the part of the room where the bed is during the night, but over in the hallway there is hardly any light. So I came out of the bathroom at 2 am or whatever time it was and somehow veered into the open doorway of the art room instead of going straight along behind the couch, and suddenly I had no idea where I was because I was feeling around for the back of the couch and only encountering empty space. I was completely disoriented. I started to step forwards into the space and my foot felt the small step down (only an inch or so) and just as suddenly I realised where I was and was easily able to make my way back to bed. (But meanwhile I had bumped my forehead against the door frame of the art room - ouch.)

Three months ago I went to my Kaiser portal and changed my mailing address. At the same time I contacted the National Finance Center, the people who handle my premium payments, to let them know my new address. Three months later I discover that the Kaiser website is still showing my previous address, and also three months later I have still heard nothing from the National Finance Center about the address change and the change of health insurance planto one which operates in Connecticut, in spite of repeated emails plus sending them an actual letter in the mail three weeks ago. I am absolutely and completely fed up with the incompetence of both Kaiser and whoever is supposed to be handling my premium payments. I suspect that because the National Finance Center is part of the Federal Government, the person who was handling my case might have been fired, but Kaiser has no such excuse.

This morning I had a text from the real estate agent suggesting that I needed to buy some vacant house insurance and giving me a link to an insurance agent who works with his company. The issue of insurance had not occurred to me because I knew the existing house insurance policy had not expired, but turns out insurance companies don't like insuring empty houses. So it looks like this will be one more thing for me to have to pay for until the house sells.

Making progress?

Jan. 27th, 2026 05:43 pm
heleninwales: (Default)
[personal profile] heleninwales
The problem with doing long-term projects is that I often feel like I'm on a treadmill, working at lots of things but not getting anywhere. There's occasionally a fleeting moment of triumph as something is finally completed -- like I posted about the video yesterday -- then it's back on the treadmill again.

Anyway, today I wrestled with the budget for our local Quaker group. Considering how small the amounts of money are, it shouldn't have taken as long as it did, but all the money is now held centrally so it took some time to ferret out the figures I needed.

Otherwise I'm still managing to do something to progress the WIP each day. Today I read over a scene from the end of Book 1 of the trilogy to refresh my memory about who knew who and when they'd met. I'd forgotten some things, but now I'll be able to write the next scenes with that information in mind.

T(ea) minus one month...

Jan. 27th, 2026 12:12 pm
settiai: (Tea -- cool_spectrum)
[personal profile] settiai
Ah. It's officially one month until my birthday, and I've gotten the first "here's a birthday coupon so spend money with us!" from a company whose emails I'm subscribed to. Let the inundation begin.

This one is at least useful, I'll give them that much. It's for Adagio, and I drink enough tea that I can definitely put a coupon to use.
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Posted by Kristin Shaw

With the launch of its all-new, all-electric EX60, Volvo has put lessons learned from the EX30 and EX90 to use. The EX60 is built on Volvo’s new SPA3 platform, made only for battery-electric vehicles. It boasts up to 400 miles (643 km) of range, with fast-charging capabilities Volvo says add 173 miles (278 km) in 10 minutes. Mega casting reduces the number of parts of the rear floor from 100-plus to one piece crafted of aluminum alloy, reducing complexities and weld points.

Inside the cabin, however, the real achievement is Volvo’s new multi-adaptive safety belt. Volvo has a history with the modern three-point safety belt, which was perfected by in-house engineer Nils Bohlin in 1959 before the patent was shared with the world. Today at the Volvo Cars Safety Center lab, at least one brand-new Volvo is crashed every day in the name of science. The goal: to test not just how well its vehicles are protecting passengers but what the next frontier is in safety technology.

Senior Safety Technical Leader Mikael Ljung Aust is a driving behavior specialist with 20 years under his belt at Volvo. He says it’s easy to optimize testing toward one person or one test point and come up with a good result. However, both from the behavioral perspective and from physics, people are different. What’s not different, he points out, is how people drive.

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Posted by Andrew Cunningham

When Apple stops supporting older iPhones and iPads with the latest version of iOS or iPadOS, it usually isn't the end of the line—Apple keeps releasing new security-only patches for those devices for another year or two, keeping them usable while their hardware is still reasonably capable.

Once those updates dry up, it's rare for Apple to revisit those older operating systems, but the company does sometimes make exceptions. That was the case yesterday, when the company released a batch of updates for long-retired iOS and iPadOS versions that otherwise hadn't seen a new patch in months or years. Those updates include iOS 12.5.8, available for devices as old as 2013's iPhone 5S and 2014's iPhone 6; iOS 15.8.6, available for devices like the iPhone 6S, iPhone 7, and iPad Air 2; and iOS 16.7.13, available for devices like the iPhone 8 and iPhone X.

Both iOS 15 and iOS 16 were last patched in mid-2025, but iOS 12's last patch was released in January 2023.

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Posted by Stephen Clark

Gen. Michael Guetlein, the senior officer in charge of the US military's planned Golden Dome missile defense shield, has laid out an audacious schedule for deploying a network of space-based sensors and interceptors by the end of President Donald Trump's term in the White House.

The three-year timeline is aggressive, with little margin for error in the event of budget or technological setbacks. The shield is designed to defend the US homeland against a range of long-range weapons, including intercontinental ballistic missiles (ICBMs), cruise missiles, and newer threats like hypersonic weapons and drones.

"By the summer of '28, we will be able to defend the entire nation against ballistic missiles, as well as other generation aerial threats, and we will continue to grow that architecture through 2035," Guetlein said Friday in a presentation to representatives from the US defense industry.

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Posted by Jonathan M. Gitlin

DAYTONA BEACH, Fla.—The annual 24-hour race that kicks off the American racing season took place this past weekend at Daytona International Speedway. Each year, the crowd gets bigger and bigger, drawn in large part by the hybrid prototypes that contest the GTP class for overall victory. After Formula 1, these are some of the most complex, sophisticated race cars ever to turn a wheel—and it doesn't hurt that they look extremely cool, too. But yet again, endurance racing wants to offer more than just entertainment.

A large number of automotive technologies or safety features that we mostly take for granted today made their way into road cars from the race track. Seatbelts, rear-view mirrors, turbocharged engines, aerodynamics, direct-injection engines, dual-clutch gearboxes, and more owe their existence to competition. Although direct examples of racing technology transfer in the mid-21st century seem less common than the intangible benefits gained when a bunch of motorsports-trained engineers have lunch every day with their road car colleagues.

That is starting to change, though, and now the domain is in simulation. Vast amounts of data are generated during the course of a race—each of the 11 GTP cars that raced at Daytona collects 1,600 different channels of data from onboard sensors, with nearly as many on the GTD machines that are based on road-going cars like Porsche's 911 or Chevrolet's Corvette. With 60 cars running for 24 hours—and that's just the first race of the year—that's a heck of a lot of high-quality data being generated, and now IMSA wants to leverage that to help automotive and technology companies develop better simulation tools, with the creation of IMSA Labs.

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